More from this Issue
Arts on the ABC: Chris Westwood and the New Deal for Radio National and ABC FM
Chris Westwood and the New Deal for Radio National and ABC FM.
What It Is Not; Misreading the East
The Wall is down. The east is no longer red. Did we win? The Washington Post has called it the end of history, so something must be happening.
Art in Space
As artists strive to turn outer space iinto a new canvas for creative expression, some of their proposals have provoked controversy.
Art in Vietnam Now
A report from a week's visit to art schools, museums, galleries and artists' organisations in Hanoi and Ho Chi Minh City October 1990.
Quo Vadis Sculputre: The Fourth Australian Sculpture Triennial
The Melbourne Festival and the Fourth Australian Sculpture Triennial reflections, projections, prognosis....
Contemporary Soviet Art
How can one describe contemporary Soviet fine art? How is it connected with the heritage of the avant garde of the revolutionary years? How are they related to the urgent problems of international art?
A Critical Evaluation of the First Adelaide Biennial of Australian Art
Adelaide Biennial of Australian Art Art Gallery of South Australia Adelaide 2 March - 22 April 1990 Confined exclusively to Australian art - the Whitney Biennial is a model - the Adelaide Biennials will both complement the international Biennale of Sydney and posit alternatives to the surveys of current art represented by the biennial Australian Perspecta exhibitions at the Art Gallery of New South Wales.
To Market, To Market: The second Contemporary Art Fair
Held Melbourne Royal Exhibition Building Melbourne 21- 24 June 1990, the success of the second Contemporary Art Fair surprised just about everyone.
Ripples from the Margin: Refractory Speculations on the Myths of Oz
About 95% of registered Australian architects are male. As writers on architecture, women are most likely to be found in our 'traditional' role as hagiographers - disciplinary 'handmaidens to the Heroes' - chronicling the erection of Icons and the cultural penetration of Canons - often described as 'seminal works'.
The Route You Take...
Photographs of Fiona Hall's work The route you take... installation shot and details, aluminium soft drink cans
Contemporary Art Centre
October 1990
Australian Centre for Photography
November - December 1990
Powder: Four Adelaide Sculptors
Exhibition review Powder: Jam Factory Bullring
Adelaide South Australia
October 1990