More from this Issue
Visualising Masculinities - Claremont School of Art
Exhibition review Visualising Masculinities
Claremont School of Art Perth
Western Australia
20 May - 15 June 1994
Youth Art and Mobile Galleries
Nowhere is the art of Sydney's youth more obvious than in the public sphere. Discussion with Linda Forrester a researcher of the creative culture of graffiti, street machining and skate boarding.
Sue Lorraine
Exhibition review em/body
recent work by Sue Lorraine
Artspace, Adelaide Festival Centre
South Australia
13 May - 25 June 1994
Where Would Sydney be Without its Art Prizes?
The hype, the hysteria, the media and the money. Of all Sydney's art prizes it is the Archibald which arouses the greatest public interest...
Still Looking at the Billboard
Exhibition review Aroha Terrace, Forestville
June 1994
In the last issue of Artlink 9Vol 14 No 2 - the art of survival) we looked at an innovative art program being run in Adelaide. The 1994 bilboard project at Aroha Terrace Forestville continued until the end of the year, with different artists represented each month.
Jun Davila
Exhibition review Imperfect Drawings
Juan Davila
Greenaway Art Gallery
Adelaide South Australia
11 May - 1 June 1994
Postcard from Sydney
Looks at Boomalli Aboriginal Artists Co-operative in Sydney NSW and the role it plays in supporting and marketing indigenous art.
What's Worth Showing? - Queen Victoria Museum and Art Gallery
Exhibition review What's worth Showing?
Queen Victoria Museum and Art Gallery
Launceston Tasmania
Suzanne Treister
Exhibition review Q. Would you recognise a Virtual Paradise? and other paintings
Suzanne Treister
Contemporary Art Centre
South Australia
29 March - 24 April 1994
Fay Brauer
Response to the article by Jacques Delaruelle (article no 664) on the nature of art education - a debate which has raged in Sydney in recent years.
Sydney in Focus: Reflections on Marketing in the Visual Arts
Since their inception, galleries and museums around the world have entertained the principles of marketing, but perhaps never so consciously as now. Of all Australian arts institutions, the Art Gallery of New South Wales has been most aware of the need to market its image.
A Series of Close Connections
Really the only way to understand the apparently large Sydney art scene is to use diagrams and statistics, all of which were compiled by the author.