Susan Milne, Izabela Pluta, Annie Hogan and Hannah Bertram work with the idea of the theatre of decline set within the grounds of the domestic environment.
Joe Felber's art practice is interdisciplinary and acquisitive, absorbing, assembling, composing and de-composing, playing and re-playing elements from a vast collection of fragments collected across the world in cities and art galleries.
Gabriella and Silvana Mangano undertake their art as a shared style of communication between siblings. Now showing at MUMA (Monash University Museum of Art) their collaborative work embraces intimacy and repetition in performance, drawing, video, sound and installation.
Life. Death. Thereafter was at Silvershot Gallery in Melbourne from 16 September 29 November 2008. Melbourne-based curator Mark Feary produced a relatively new exhibition model, three separate, distinct, but thematically entwined shows, running end to end for eighteen days each showing the work of Kate Just, Steve Carr, Patricia Piccinini, Paolo Canevari, Rob McLeish, Ronnie van Hout, Jesper Just, Jason Greig, Sally Blenheim and Blair Trethowan.
Melentie Pandilovski's article is adapted from a paper he gave at the ISEA conference in Singapore in 2008. He writes about interactions between the arts, science and technology through looking at the work of British artist Lei Cox's work Teleportation Experiment.
The responses of digital artists David Haines, Jon Hunter and Pete Newman to the molecular scale on which our world is now micromanaged are contrasted with the work of the late Jon Wah whose work stopped time with a saddhu-like discipline of the will. Jon Wah died in August 2008, aged 27. A posthumous retrospective was held for him at Serial Space, Chippendale, Sydney, 8-18 December 2008.