Looks at three locations Grizedale Forest (UK) Yorkshire Sculpture Park (UK) Rijksmuseum Kroller-Muller of Otterlo (Netherlands) where one can experience sculpture within the landscape.
Sculpture is not like painting because it is not flat and does not raise the question of mimesis in the same way. A theory of sculpture must therefore be, somewhere at its deep foundations, different from a theory of painting. Not just a bit different: a lot different.
Exhibition review Point of View: Carol Rudyard selected works 1968 -1992
Lawrence Wilson Art Gallery
Perth Western Australia
29 January - 28 March 1993
This article is about sculpture in Western Australia and how efforts have been made in the recent past to establish the nature of its practice and the identity of its practitioners.
Looks at the 5 year sculpture development program at the Gasworks 3.46 hectares of open space in Melbourne - close to the city, accessible with strong community focus and an emphasis on contemporary art.
With commissions over the past year at Southgate, the Great Southern Stand at the Melbourne Cricket Ground, the Swanston Walk and others, Melbourne's image is undergoing change. Renowned for its Victorian buildings and innumerable memorial sculptures of kings, queens, politicians and military leaders, Melbourne is now seeing contemporary sculpture in unexpected places. (Ken Scarlett)
It is a brief sober guide to certain spatial (and therefore sculptural) behaviours as initially identified and described by Bronte Edwards, Commander in Chief of the Art Army.
1993 is the 20th annniversary of Sculpturscape '73 an outdoor exhibition that happened in Mildura, a small city on the Victorian side of the Murray River, distant from the state capitals of eastern Australia.